Toot good to be true.

Hello you 'orrible worms. I had quite a serious weekends worth of car boot action and here are some things I have to show for it:

A real-feather-pheasant (nice mix of words). I like how mangy it looks.

I love this little glass and mirror pyramid - it makes everything look good. It's the ultimate display solution for an indie jeweller.

As soon as it came in the house Schweiker displayed a used teabag in it . . . it looked really good. Here is a felt mouse display.

Not just any felt mouse but one holding a cat. Very good!

I love this rattle, the colours and construction are so beautiful.

Pastels and dark neon, a fine combination.

Very simple spoons made by Alessi.

I love this brooch - it's just a dirty great gob of mother of pearl. So simple and lovely. It reminds me of that other simple brooch I loved (in this post). If only I still had the other I would wear them together.

It has a handsome chunky back too.

A horse from India.

And a jacket from Norway.

Tiny little crucibles - in shapes worthy of Lucy Rie.

A nicely naive landscape.

And a pair of pigeons that I couldn't resist.

Also another cast of The Girl from the Seine seems much more like an actual cast than the other one.

Some sixties fabric in nice colours.

A hat block. I like it's character: kind of bawdy. It looks like it's having a good belly laugh at something.

A bit of hot blanket action.

And a pair of cymbals that I really like because they make a big noise (see above photo for proof). I'm quite tempted to keep them as a means of emphasising important life moments, they make a pleasing ending . . . dinner is finished! *crash!* . . . Rosalie is out the shower *crash!* and so on and so forth.

Anyhow. I photoed for so long the light started to go and made these beautiful shadows, good eh? Here is some more handsome chunky mother of pearl - a necklace with coral coloured filler beads.

And a cork screw with a happy bakelite face.

That is all. I hope you like the bit.

This blog post is now over.

*CRASH!*