I might have expressed this before but there's something about little bits of card all the same size that I love. It probably helps that the folks that cut it for me wrap it up all neat in brown paper like the best kind of present.
I was printing some new cards to have out on my stall, using my Adana.
It all started very neat, that was soon to change.
I already have my chase set up from previous cards.
I use Univers, which is a relative of Helvetica, created in 1957. It's probably a very similar age to the Adana, which pleases me greatly. The minutiae of the type design gets slaughtered in my slap-dash approach to printing (on the Adana at least which doesn't maintain that even a pressure) but I still appreciate it at this stage. First I did a round of red cards. There are many different ways to relieve the monotony of repetition: I chose the jazz-hands jig approach.
Actually it never really gets monotonous for me, something about it keeps you on your toes for every print. Then I did a round with black ink, you can see the variation and blotchiness that would have Gutenberg turning in his grave, but I really like it. As long as they're all legible.
Meanwhile Mum was doing some hardcore printing on my beautiful big Arab press.
I got him for free from a man down the road - he'd sold it on Ebay twice and both times the people had sent couriers who refused to move it in case of damaging themselves. Then I got in touch and Dad and I trotted down and picked it up.
What fun.
It runs so incredibly smoothly for such a brute. Look at that saucy fly wheel.
Using it and all the tools that come with it makes you feel like a bloody hero.
It lives at my folks house until such a time that I have a dirty great workshop of my own - so if there are any artsy hippy communities out there that want me and my press I'm ready . . . anyone? . . . no?
Oh well.
We were printing this block from a friend (Catherine), to be used as invitations to A Movable Feast, an event I will post about in the near future.
We set up the chase, then tilted it and gave it a hearty fingertip knock to make sure it wasn't loose. This is a tactic I developed after a few times setting a whole load of text then picking it up and all the pieces falling onto the floor.
Then Mum got printing, a few variations at first until we settled on the inking and pressure we liked.
Catherine came to help hang them all up, which was ideal as Mum and I were covered in a nice even layer of ink.
It was an especially hot day and Mum was sweating like an orphan in a workhouse so we set up a parasol, which I think looks really fun indoors.
Before we knew it there were three hundred of the little beauties.
Oh these are stunners!I would love to try printing with old machinery, it looks like a big loom kind of thing {which I also like very much}. Your cards are the best I've ever seen.
ReplyDeleteI love letter press everything!
ReplyDeleteIt is a dying art, i think. And it is so awesome you got a letterpress machine!
Thank you chaps! I do feel very lucky - it is so nice to have your own machine because going to a letterpress workshop can be a little intimidating.
ReplyDeleteAnd thank you for the very fine compliment Artemis, it means a lot coming from a lady of such splendid taste.
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